Skip to main content

Vincent Carmody's listowel


Vincent Carmody's Listowel      Gerry O'Shea

In the bar area of the Kerry Hall in Yonkers there are portraits displayed  of five well-known Kerry writers, and three of the five come from the town of Listowel or its hinterland:  Maurice Walsh from Ballybunion, author of The Quiet Man, John Moriarty, poet and philosopher from Moyvane and, of course, John B Keane from the town itself.

The management of the bar would find it hard to explain why the marvelous Bryan McMahon is not on display or Brendan Kennelly from Ballylongford or George Fitzmaurice, a noted dramatist and short story writer in the 19th century or Fergal Keane of current BBC fame.

I have no idea why a small and - at first walk-through - an  unimposing town accounts for so much exuberant artistic talent. And now we have local historian, Vincent Carmody,  producing an excellent and intriguing communal history: Listowel: A Printer's Legacy. The title is further explained in the cover as The Story of Printing in North Kerry 1870-1970.

If, like me, you associate the work of the town crier with Shakespeare and Elizabethan England, you will find out that the job was alive and well in Listowel in Queen Victoria's time and indeed right through the Irish Independence War a hundred years ago.

Carmody displays a rather menacing photograph of Mick Lane, town crier supreme, complete with his bell. Apart from making community announcements, Lane saw his job as promoting the sale of various items of local interest. A literate man who liked verse, his best-known quatrain was: 

Go forth in haste with brush and paste,

Proclaim to all creation

That men are wise that advertise,

In every generation.

The author deals in detail with the Cuthberton family, owners of the main printing press in Listowel from 1880 until they closed shop in 1960. They were a prominent Church of Ireland family who included in their work posters and meeting notices ordered for various branches of the emerging nationalist movement  especially during the first two decades of the 20th century.

 The British authorities were very critical of a printing company, especially one with the Cuthberton religious pedigree, that was open to working for what they considered seditious organizations like Sinn Fein and the Gaelic league.

Mr. Carmody introduces readers to Sir Arthur Vicars who spent considerable time in Kilmorna House, an elegant Victorian building located a few miles from Listowel. Sir Arthur  was appointed custodian of the Irish Crown Jewels in 1893. In 1907 the jewels disappeared and have never been recovered. The Royal Commission that was set up to solve the mystery failed to come to any conclusion but recommended that Vicars should lose his title.

In 1921, during the War of Independence, the IRA suspected that Sir Arthur was a British spy. They burned Kilmorna House and executed Mr. Vicars. There is still no conclusive report on the jewels or how they disappeared.

 An enterprising Hollywood producer could involve the indefatigable Mr. Carmody in untangling the intriguing  possibilities here. Vague rumors about a hidden vault at the north end of Kilmorna House might provide a good starting point!

The late Con Houlihan, a noted sportswriter and humanist, from  Castleisland, down the road from Listowel, wrote that all human life can be found among the people in a country village. Vincent Carmody confirms this observation in Listowel: A Printer's Legacy  which proclaims his love of place in every chapter.

 The photographs and posters with their stories entice the reader to flip  from page to page - auctions, North Kerry ballads, fairs and, of course, local productions of plays are all described in the language of the time. Special kudos to the book's design and layout team, including the attractive cover.

 The Foreword to the book by retired teacher Cyril Kelly, another erudite Listowel writer, is exceptional, especially the four magnificent paragraphs describing the day-to-day work of Tadhg Brennan, a local blacksmith. I highly recommend Mr. Kelly's contribution to aspiring writers and to old timers too who may recall visiting and playing with the bellows in their village forge fifty or more years ago.

 

The book was launched in New York before a big crowd by Dr. Miriam Nyhan Grey of the Irish Studies Department in NYU in the Kerry Hall in Yonkers on Friday March 8th. It is available online at listoweloriginals.com.  

 

 

 

  Author Vincent Carmody with Dr. Miriam Nyhan Grey who launched his book Listowel: A Printer's Legacy in the Kerry Hall in Yonkers
Vincent Carmody's Listowel      Gerry O'Shea

In the bar area of the Kerry Hall in Yonkers there are portraits displayed  of five well-known Kerry writers, and three of the five come from the town of Listowel or its hinterland:  Maurice Walsh from Ballybunion, author of The Quiet Man, John Moriarty, poet and philosopher from Moyvane and, of course, John B Keane from the town itself.

The management of the bar would find it hard to explain why the marvelous Bryan McMahon is not on display or Brendan Kennelly from Ballylongford or George Fitzmaurice, a noted dramatist and short story writer in the 19th century or Fergal Keane of current BBC fame.

I have no idea why a small and - at first walk-through - an  unimposing town accounts for so much exuberant artistic talent. And now we have local historian, Vincent Carmody,  producing an excellent and intriguing communal history: Listowel: A Printer's Legacy. The title is further explained in the cover as The Story of Printing in North Kerry 1870-1970.

If, like me, you associate the work of the town crier with Shakespeare and Elizabethan England, you will find out that the job was alive and well in Listowel in Queen Victoria's time and indeed right through the Irish Independence War a hundred years ago.

Carmody displays a rather menacing photograph of Mick Lane, town crier supreme, complete with his bell. Apart from making community announcements, Lane saw his job as promoting the sale of various items of local interest. A literate man who liked verse, his best-known quatrain was: 

Go forth in haste with brush and paste,

Proclaim to all creation

That men are wise that advertise,

In every generation.

The author deals in detail with the Cuthberton family, owners of the main printing press in Listowel from 1880 until they closed shop in 1960. They were a prominent Church of Ireland family who included in their work posters and meeting notices ordered for various branches of the emerging nationalist movement  especially during the first two decades of the 20th century.

 The British authorities were very critical of a printing company, especially one with the Cuthberton religious pedigree, that was open to working for what they considered seditious organizations like Sinn Fein and the Gaelic league.

Mr. Carmody introduces readers to Sir Arthur Vicars who spent considerable time in Kilmorna House, an elegant Victorian building located a few miles from Listowel. Sir Arthur  was appointed custodian of the Irish Crown Jewels in 1893. In 1907 the jewels disappeared and have never been recovered. The Royal Commission that was set up to solve the mystery failed to come to any conclusion but recommended that Vicars should lose his title.

In 1921, during the War of Independence, the IRA suspected that Sir Arthur was a British spy. They burned Kilmorna House and executed Mr. Vicars. There is still no conclusive report on the jewels or how they disappeared.

 An enterprising Hollywood producer could involve the indefatigable Mr. Carmody in untangling the intriguing  possibilities here. Vague rumors about a hidden vault at the north end of Kilmorna House might provide a good starting point!

The late Con Houlihan, a noted sportswriter and humanist, from  Castleisland, down the road from Listowel, wrote that all human life can be found among the people in a country village. Vincent Carmody confirms this observation in Listowel: A Printer's Legacy  which proclaims his love of place in every chapter.

 The photographs and posters with their stories entice the reader to flip  from page to page - auctions, North Kerry ballads, fairs and, of course, local productions of plays are all described in the language of the time. Special kudos to the book's design and layout team, including the attractive cover.

 The Foreword to the book by retired teacher Cyril Kelly, another erudite Listowel writer, is exceptional, especially the four magnificent paragraphs describing the day-to-day work of Tadhg Brennan, a local blacksmith. I highly recommend Mr. Kelly's contribution to aspiring writers and to old timers too who may recall visiting and playing with the bellows in their village forge fifty or more years ago.

 

The book was launched in New York before a big crowd by Dr. Miriam Nyhan Grey of the Irish Studies Department in NYU in the Kerry Hall in Yonkers on Friday March 8th. It is available online at listoweloriginals.com.  

 

 

 
  Author Vincent Carmody with Dr. Miriam Nyhan Grey who launched his book Listowel: A Printer's Legacy in the Kerry Hall in Yonkers

Vincent Carmody's Listowel      Gerry O'Shea

In the bar area of the Kerry Hall in Yonkers there are portraits displayed  of five well-known Kerry writers, and three of the five come from the town of Listowel or its hinterland:  Maurice Walsh from Ballybunion, author of The Quiet Man, John Moriarty, poet and philosopher from Moyvane and, of course, John B Keane from the town itself.

The management of the bar would find it hard to explain why the marvelous Bryan McMahon is not on display or Brendan Kennelly from Ballylongford or George Fitzmaurice, a noted dramatist and short story writer in the 19th century or Fergal Keane of current BBC fame.

I have no idea why a small and - at first walk-through - an  unimposing town accounts for so much exuberant artistic talent. And now we have local historian, Vincent Carmody,  producing an excellent and intriguing communal history: Listowel: A Printer's Legacy. The title is further explained in the cover as The Story of Printing in North Kerry 1870-1970.

If, like me, you associate the work of the town crier with Shakespeare and Elizabethan England, you will find out that the job was alive and well in Listowel in Queen Victoria's time and indeed right through the Irish Independence War a hundred years ago.

Carmody displays a rather menacing photograph of Mick Lane, town crier supreme, complete with his bell. Apart from making community announcements, Lane saw his job as promoting the sale of various items of local interest. A literate man who liked verse, his best-known quatrain was: 

Go forth in haste with brush and paste,

Proclaim to all creation

That men are wise that advertise,

In every generation.

The author deals in detail with the Cuthberton family, owners of the main printing press in Listowel from 1880 until they closed shop in 1960. They were a prominent Church of Ireland family who included in their work posters and meeting notices ordered for various branches of the emerging nationalist movement  especially during the first two decades of the 20th century.

 The British authorities were very critical of a printing company, especially one with the Cuthberton religious pedigree, that was open to working for what they considered seditious organizations like Sinn Fein and the Gaelic league.

Mr. Carmody introduces readers to Sir Arthur Vicars who spent considerable time in Kilmorna House, an elegant Victorian building located a few miles from Listowel. Sir Arthur  was appointed custodian of the Irish Crown Jewels in 1893. In 1907 the jewels disappeared and have never been recovered. The Royal Commission that was set up to solve the mystery failed to come to any conclusion but recommended that Vicars should lose his title.

In 1921, during the War of Independence, the IRA suspected that Sir Arthur was a British spy. They burned Kilmorna House and executed Mr. Vicars. There is still no conclusive report on the jewels or how they disappeared.

 An enterprising Hollywood producer could involve the indefatigable Mr. Carmody in untangling the intriguing  possibilities here. Vague rumors about a hidden vault at the north end of Kilmorna House might provide a good starting point!

The late Con Houlihan, a noted sportswriter and humanist, from  Castleisland, down the road from Listowel, wrote that all human life can be found among the people in a country village. Vincent Carmody confirms this observation in Listowel: A Printer's Legacy  which proclaims his love of place in every chapter.

 The photographs and posters with their stories entice the reader to flip  from page to page - auctions, North Kerry ballads, fairs and, of course, local productions of plays are all described in the language of the time. Special kudos to the book's design and layout team, including the attractive cover.

 The Foreword to the book by retired teacher Cyril Kelly, another erudite Listowel writer, is exceptional, especially the four magnificent paragraphs describing the day-to-day work of Tadhg Brennan, a local blacksmith. I highly recommend Mr. Kelly's contribution to aspiring writers and to old timers too who may recall visiting and playing with the bellows in their village forge fifty or more years ago.

 

The book was launched in New York before a big crowd by Dr. Miriam Nyhan Grey of the Irish Studies Department in NYU in the Kerry Hall in Yonkers on Friday March 8th. It is available online at listoweloriginals.com.  

 

 

 

  Author Vincent Carmody with Dr. Miriam Nyhan Grey who launched his book Listowel: A Printer's Legacy in the Kerry Hall in Yonkers
Vincent Carmody's Listowel      Gerry O'Shea

In the bar area of the Kerry Hall in Yonkers there are portraits displayed  of five well-known Kerry writers, and three of the five come from the town of Listowel or its hinterland:  Maurice Walsh from Ballybunion, author of The Quiet Man, John Moriarty, poet and philosopher from Moyvane and, of course, John B Keane from the town itself.

The management of the bar would find it hard to explain why the marvelous Bryan McMahon is not on display or Brendan Kennelly from Ballylongford or George Fitzmaurice, a noted dramatist and short story writer in the 19th century or Fergal Keane of current BBC fame.

I have no idea why a small and - at first walk-through - an  unimposing town accounts for so much exuberant artistic talent. And now we have local historian, Vincent Carmody,  producing an excellent and intriguing communal history: Listowel: A Printer's Legacy. The title is further explained in the cover as The Story of Printing in North Kerry 1870-1970.

If, like me, you associate the work of the town crier with Shakespeare and Elizabethan England, you will find out that the job was alive and well in Listowel in Queen Victoria's time and indeed right through the Irish Independence War a hundred years ago.

Carmody displays a rather menacing photograph of Mick Lane, town crier supreme, complete with his bell. Apart from making community announcements, Lane saw his job as promoting the sale of various items of local interest. A literate man who liked verse, his best-known quatrain was: 

Go forth in haste with brush and paste,

Proclaim to all creation

That men are wise that advertise,

In every generation.

The author deals in detail with the Cuthberton family, owners of the main printing press in Listowel from 1880 until they closed shop in 1960. They were a prominent Church of Ireland family who included in their work posters and meeting notices ordered for various branches of the emerging nationalist movement  especially during the first two decades of the 20th century.

 The British authorities were very critical of a printing company, especially one with the Cuthberton religious pedigree, that was open to working for what they considered seditious organizations like Sinn Fein and the Gaelic league.

Mr. Carmody introduces readers to Sir Arthur Vicars who spent considerable time in Kilmorna House, an elegant Victorian building located a few miles from Listowel. Sir Arthur  was appointed custodian of the Irish Crown Jewels in 1893. In 1907 the jewels disappeared and have never been recovered. The Royal Commission that was set up to solve the mystery failed to come to any conclusion but recommended that Vicars should lose his title.

In 1921, during the War of Independence, the IRA suspected that Sir Arthur was a British spy. They burned Kilmorna House and executed Mr. Vicars. There is still no conclusive report on the jewels or how they disappeared.

 An enterprising Hollywood producer could involve the indefatigable Mr. Carmody in untangling the intriguing  possibilities here. Vague rumors about a hidden vault at the north end of Kilmorna House might provide a good starting point!

The late Con Houlihan, a noted sportswriter and humanist, from  Castleisland, down the road from Listowel, wrote that all human life can be found among the people in a country village. Vincent Carmody confirms this observation in Listowel: A Printer's Legacy  which proclaims his love of place in every chapter.

 The photographs and posters with their stories entice the reader to flip  from page to page - auctions, North Kerry ballads, fairs and, of course, local productions of plays are all described in the language of the time. Special kudos to the book's design and layout team, including the attractive cover.

 The Foreword to the book by retired teacher Cyril Kelly, another erudite Listowel writer, is exceptional, especially the four magnificent paragraphs describing the day-to-day work of Tadhg Brennan, a local blacksmith. I highly recommend Mr. Kelly's contribution to aspiring writers and to old timers too who may recall visiting and playing with the bellows in their village forge fifty or more years ago.

 

The book was launched in New York before a big crowd by Dr. Miriam Nyhan Grey of the Irish Studies Department in NYU in the Kerry Hall in Yonkers on Friday March 8th. It is available online at listoweloriginals.com.  

 

 

 
  Author Vincent Carmody with Dr. Miriam Nyhan Grey who launched his book Listowel: A Printer's Legacy in the Kerry Hall in Yonkers

Comments

Popular posts from this blog

    Unionist Isolation in Northern Ireland              Gerry OShea Joe Brolly, known as a fine footballer and lively commentator on big Gaelic matches on Irish television, writes a regular column in the Sunday Independent in Dublin. Recently, he penned an uncharacteristically bitter essay about the celebrations in Belfast following the victory of Glasgow Rangers in the Scottish Football League. Joe had no problem with fans celebrating the win, their first in ten years, but the carry-on by Rangers supporters in the Shankill Road area left him in a foul mood. The old gutter anti-Catholic tropes were heard throughout the crowd. Hurrah! Hurrah! We are the Billy Boys   --- Up tae yer knees in Finian blood.   Surrender or ye’ll die. He noted that the following day the police superintendent responsible for the area, Nigel Henry, expressed his “disappointment” about a large crowd partying in clear breach of the Covid restrictions on gatherings in the city. A few weeks previously Mar

Neoliberalism

Neoliberalism                Gerry OShea The story is told that shortly after the great trade union leader Mike Quill arrived in New York, he inquired about what kind of government existed in America. After someone gave him a brief explanation, he replied “well we are against the government anyway.” Mike had just come from a family that fought the British in the Irish War of Independence and that was equally hostile to the Free State Government which took over in Dublin in 1922, four years before he left for the United states from his home in Kilgarvan, County Kerry. President Reagan’s oft-quoted statement that “the most terrifying words in the English language are: I’m from the government and I am here to help” always evokes   loud applause from conservative audiences. His words encapsulate the belief that the less state involvement in all aspects of life the better. They always make one exception for military spending, and so they endorse the present defense budget in the U

Anger in America

  Anger in America                     Gerry OShea Rage is dominating the American body politic. The culture has become so toxic that we can no longer just agree to disagree.   In April of this year, reputable pollsters revealed that 70% of Republicans declared that the presidential election was stolen and Donald Trump should be re-installed in the White House. A September gauge of opinion showed that the figure of Republican disbelievers in the Biden presidency has grown to a whopping 78%. It is important to explain that there is not a scintilla of evidence supporting this erroneous contention. Mr. Trump’s lawyers’ claims of electoral impropriety were considered by close to sixty judges, some of whom were appointed by the former president, and none of them even allowed the case to be heard because no evidence of wrongdoing was presented in court. The Supreme Court with a strong influence of Trump appointees refused even to consider the case. The Department of Justice under Wil