Vincent Carmody's Listowel Gerry O'Shea
In the bar area of the Kerry
Hall in Yonkers there are portraits displayed of five well-known Kerry writers, and three of
the five come from the town of Listowel or its hinterland: Maurice Walsh from Ballybunion, author of The Quiet Man, John Moriarty, poet and
philosopher from Moyvane and, of course, John B Keane from the town itself.
The management of the bar
would find it hard to explain why the marvelous Bryan McMahon is not on display
or Brendan Kennelly from Ballylongford or George Fitzmaurice, a noted dramatist
and short story writer in the 19th century or Fergal Keane of current BBC fame.
I have no idea why a small
and - at first walk-through - an unimposing town accounts for so much exuberant
artistic talent. And now we have local historian, Vincent Carmody, producing an excellent and intriguing communal
history: Listowel: A Printer's Legacy.
The title is further explained in the cover as The Story of Printing in North Kerry 1870-1970.
If, like me, you associate
the work of the town crier with Shakespeare and Elizabethan England, you will
find out that the job was alive and well in Listowel in Queen Victoria's time
and indeed right through the Irish Independence War a hundred years ago.
Carmody displays a rather
menacing photograph of Mick Lane, town crier supreme, complete with his bell.
Apart from making community announcements, Lane saw his job as promoting the
sale of various items of local interest. A literate man who liked verse, his best-known
quatrain was:
Go forth in haste with brush
and paste,
Proclaim to all creation
That men are wise that
advertise,
In every generation.
The author deals in detail
with the Cuthberton family, owners of the main printing press in Listowel from
1880 until they closed shop in 1960. They were a prominent Church of Ireland
family who included in their work posters and meeting notices ordered for
various branches of the emerging nationalist movement especially during the first two decades of the
20th century.
The British authorities were very critical of
a printing company, especially one with the Cuthberton religious pedigree, that
was open to working for what they considered seditious organizations like Sinn
Fein and the Gaelic league.
Mr. Carmody introduces
readers to Sir Arthur Vicars who spent considerable time in Kilmorna House, an
elegant Victorian building located a few miles from Listowel. Sir Arthur was appointed custodian of the Irish Crown
Jewels in 1893. In 1907 the jewels disappeared and have never been recovered.
The Royal Commission that was set up to solve the mystery failed to come to any
conclusion but recommended that Vicars should lose his title.
In 1921, during the War of
Independence, the IRA suspected that Sir Arthur was a British spy. They burned
Kilmorna House and executed Mr. Vicars. There is still no conclusive report on
the jewels or how they disappeared.
An enterprising Hollywood producer could
involve the indefatigable Mr. Carmody in untangling the intriguing possibilities here. Vague rumors about a
hidden vault at the north end of Kilmorna House might provide a good starting
point!
The late Con Houlihan, a
noted sportswriter and humanist, from
Castleisland, down the road from Listowel, wrote that all human life can
be found among the people in a country village. Vincent Carmody confirms this
observation in Listowel: A Printer's Legacy which proclaims his love of place in every
chapter.
The photographs and posters with their stories
entice the reader to flip from page to
page - auctions, North Kerry ballads, fairs and, of course, local productions
of plays are all described in the language of the time. Special kudos to the
book's design and layout team, including the attractive cover.
The Foreword to the book by retired teacher
Cyril Kelly, another erudite Listowel writer, is exceptional, especially the
four magnificent paragraphs describing the day-to-day work of Tadhg Brennan, a
local blacksmith. I highly recommend Mr. Kelly's contribution to aspiring
writers and to old timers too who may recall visiting and playing with the
bellows in their village forge fifty or more years ago.
The book was launched in New
York before a big crowd by Dr. Miriam Nyhan Grey of the Irish Studies
Department in NYU in the Kerry Hall in Yonkers on Friday March 8th. It is
available online at listoweloriginals.com.
Author Vincent Carmody with Dr. Miriam Nyhan Grey who launched his book Listowel: A Printer's Legacy in the Kerry Hall in Yonkers
Vincent Carmody's Listowel Gerry O'Shea
In the bar area of the Kerry
Hall in Yonkers there are portraits displayed of five well-known Kerry writers, and three of
the five come from the town of Listowel or its hinterland: Maurice Walsh from Ballybunion, author of The Quiet Man, John Moriarty, poet and
philosopher from Moyvane and, of course, John B Keane from the town itself.
The management of the bar
would find it hard to explain why the marvelous Bryan McMahon is not on display
or Brendan Kennelly from Ballylongford or George Fitzmaurice, a noted dramatist
and short story writer in the 19th century or Fergal Keane of current BBC fame.
I have no idea why a small
and - at first walk-through - an unimposing town accounts for so much exuberant
artistic talent. And now we have local historian, Vincent Carmody, producing an excellent and intriguing communal
history: Listowel: A Printer's Legacy.
The title is further explained in the cover as The Story of Printing in North Kerry 1870-1970.
If, like me, you associate
the work of the town crier with Shakespeare and Elizabethan England, you will
find out that the job was alive and well in Listowel in Queen Victoria's time
and indeed right through the Irish Independence War a hundred years ago.
Carmody displays a rather
menacing photograph of Mick Lane, town crier supreme, complete with his bell.
Apart from making community announcements, Lane saw his job as promoting the
sale of various items of local interest. A literate man who liked verse, his best-known
quatrain was:
Go forth in haste with brush
and paste,
Proclaim to all creation
That men are wise that
advertise,
In every generation.
The author deals in detail
with the Cuthberton family, owners of the main printing press in Listowel from
1880 until they closed shop in 1960. They were a prominent Church of Ireland
family who included in their work posters and meeting notices ordered for
various branches of the emerging nationalist movement especially during the first two decades of the
20th century.
The British authorities were very critical of
a printing company, especially one with the Cuthberton religious pedigree, that
was open to working for what they considered seditious organizations like Sinn
Fein and the Gaelic league.
Mr. Carmody introduces
readers to Sir Arthur Vicars who spent considerable time in Kilmorna House, an
elegant Victorian building located a few miles from Listowel. Sir Arthur was appointed custodian of the Irish Crown
Jewels in 1893. In 1907 the jewels disappeared and have never been recovered.
The Royal Commission that was set up to solve the mystery failed to come to any
conclusion but recommended that Vicars should lose his title.
In 1921, during the War of
Independence, the IRA suspected that Sir Arthur was a British spy. They burned
Kilmorna House and executed Mr. Vicars. There is still no conclusive report on
the jewels or how they disappeared.
An enterprising Hollywood producer could
involve the indefatigable Mr. Carmody in untangling the intriguing possibilities here. Vague rumors about a
hidden vault at the north end of Kilmorna House might provide a good starting
point!
The late Con Houlihan, a
noted sportswriter and humanist, from
Castleisland, down the road from Listowel, wrote that all human life can
be found among the people in a country village. Vincent Carmody confirms this
observation in Listowel: A Printer's Legacy which proclaims his love of place in every
chapter.
The photographs and posters with their stories
entice the reader to flip from page to
page - auctions, North Kerry ballads, fairs and, of course, local productions
of plays are all described in the language of the time. Special kudos to the
book's design and layout team, including the attractive cover.
The Foreword to the book by retired teacher
Cyril Kelly, another erudite Listowel writer, is exceptional, especially the
four magnificent paragraphs describing the day-to-day work of Tadhg Brennan, a
local blacksmith. I highly recommend Mr. Kelly's contribution to aspiring
writers and to old timers too who may recall visiting and playing with the
bellows in their village forge fifty or more years ago.
The book was launched in New
York before a big crowd by Dr. Miriam Nyhan Grey of the Irish Studies
Department in NYU in the Kerry Hall in Yonkers on Friday March 8th. It is
available online at listoweloriginals.com.
Vincent Carmody's Listowel Gerry O'Shea
In the bar area of the Kerry
Hall in Yonkers there are portraits displayed of five well-known Kerry writers, and three of
the five come from the town of Listowel or its hinterland: Maurice Walsh from Ballybunion, author of The Quiet Man, John Moriarty, poet and
philosopher from Moyvane and, of course, John B Keane from the town itself.
The management of the bar
would find it hard to explain why the marvelous Bryan McMahon is not on display
or Brendan Kennelly from Ballylongford or George Fitzmaurice, a noted dramatist
and short story writer in the 19th century or Fergal Keane of current BBC fame.
I have no idea why a small
and - at first walk-through - an unimposing town accounts for so much exuberant
artistic talent. And now we have local historian, Vincent Carmody, producing an excellent and intriguing communal
history: Listowel: A Printer's Legacy.
The title is further explained in the cover as The Story of Printing in North Kerry 1870-1970.
If, like me, you associate
the work of the town crier with Shakespeare and Elizabethan England, you will
find out that the job was alive and well in Listowel in Queen Victoria's time
and indeed right through the Irish Independence War a hundred years ago.
Carmody displays a rather
menacing photograph of Mick Lane, town crier supreme, complete with his bell.
Apart from making community announcements, Lane saw his job as promoting the
sale of various items of local interest. A literate man who liked verse, his best-known
quatrain was:
Go forth in haste with brush
and paste,
Proclaim to all creation
That men are wise that
advertise,
In every generation.
The author deals in detail
with the Cuthberton family, owners of the main printing press in Listowel from
1880 until they closed shop in 1960. They were a prominent Church of Ireland
family who included in their work posters and meeting notices ordered for
various branches of the emerging nationalist movement especially during the first two decades of the
20th century.
The British authorities were very critical of
a printing company, especially one with the Cuthberton religious pedigree, that
was open to working for what they considered seditious organizations like Sinn
Fein and the Gaelic league.
Mr. Carmody introduces
readers to Sir Arthur Vicars who spent considerable time in Kilmorna House, an
elegant Victorian building located a few miles from Listowel. Sir Arthur was appointed custodian of the Irish Crown
Jewels in 1893. In 1907 the jewels disappeared and have never been recovered.
The Royal Commission that was set up to solve the mystery failed to come to any
conclusion but recommended that Vicars should lose his title.
In 1921, during the War of
Independence, the IRA suspected that Sir Arthur was a British spy. They burned
Kilmorna House and executed Mr. Vicars. There is still no conclusive report on
the jewels or how they disappeared.
An enterprising Hollywood producer could
involve the indefatigable Mr. Carmody in untangling the intriguing possibilities here. Vague rumors about a
hidden vault at the north end of Kilmorna House might provide a good starting
point!
The late Con Houlihan, a
noted sportswriter and humanist, from
Castleisland, down the road from Listowel, wrote that all human life can
be found among the people in a country village. Vincent Carmody confirms this
observation in Listowel: A Printer's Legacy which proclaims his love of place in every
chapter.
The photographs and posters with their stories
entice the reader to flip from page to
page - auctions, North Kerry ballads, fairs and, of course, local productions
of plays are all described in the language of the time. Special kudos to the
book's design and layout team, including the attractive cover.
The Foreword to the book by retired teacher
Cyril Kelly, another erudite Listowel writer, is exceptional, especially the
four magnificent paragraphs describing the day-to-day work of Tadhg Brennan, a
local blacksmith. I highly recommend Mr. Kelly's contribution to aspiring
writers and to old timers too who may recall visiting and playing with the
bellows in their village forge fifty or more years ago.
The book was launched in New
York before a big crowd by Dr. Miriam Nyhan Grey of the Irish Studies
Department in NYU in the Kerry Hall in Yonkers on Friday March 8th. It is
available online at listoweloriginals.com.
Author Vincent Carmody with Dr. Miriam Nyhan Grey who launched his book Listowel: A Printer's Legacy in the Kerry Hall in Yonkers
Vincent Carmody's Listowel Gerry O'Shea
In the bar area of the Kerry
Hall in Yonkers there are portraits displayed of five well-known Kerry writers, and three of
the five come from the town of Listowel or its hinterland: Maurice Walsh from Ballybunion, author of The Quiet Man, John Moriarty, poet and
philosopher from Moyvane and, of course, John B Keane from the town itself.
The management of the bar
would find it hard to explain why the marvelous Bryan McMahon is not on display
or Brendan Kennelly from Ballylongford or George Fitzmaurice, a noted dramatist
and short story writer in the 19th century or Fergal Keane of current BBC fame.
I have no idea why a small
and - at first walk-through - an unimposing town accounts for so much exuberant
artistic talent. And now we have local historian, Vincent Carmody, producing an excellent and intriguing communal
history: Listowel: A Printer's Legacy.
The title is further explained in the cover as The Story of Printing in North Kerry 1870-1970.
If, like me, you associate
the work of the town crier with Shakespeare and Elizabethan England, you will
find out that the job was alive and well in Listowel in Queen Victoria's time
and indeed right through the Irish Independence War a hundred years ago.
Carmody displays a rather
menacing photograph of Mick Lane, town crier supreme, complete with his bell.
Apart from making community announcements, Lane saw his job as promoting the
sale of various items of local interest. A literate man who liked verse, his best-known
quatrain was:
Go forth in haste with brush
and paste,
Proclaim to all creation
That men are wise that
advertise,
In every generation.
The author deals in detail
with the Cuthberton family, owners of the main printing press in Listowel from
1880 until they closed shop in 1960. They were a prominent Church of Ireland
family who included in their work posters and meeting notices ordered for
various branches of the emerging nationalist movement especially during the first two decades of the
20th century.
The British authorities were very critical of
a printing company, especially one with the Cuthberton religious pedigree, that
was open to working for what they considered seditious organizations like Sinn
Fein and the Gaelic league.
Mr. Carmody introduces
readers to Sir Arthur Vicars who spent considerable time in Kilmorna House, an
elegant Victorian building located a few miles from Listowel. Sir Arthur was appointed custodian of the Irish Crown
Jewels in 1893. In 1907 the jewels disappeared and have never been recovered.
The Royal Commission that was set up to solve the mystery failed to come to any
conclusion but recommended that Vicars should lose his title.
In 1921, during the War of
Independence, the IRA suspected that Sir Arthur was a British spy. They burned
Kilmorna House and executed Mr. Vicars. There is still no conclusive report on
the jewels or how they disappeared.
An enterprising Hollywood producer could
involve the indefatigable Mr. Carmody in untangling the intriguing possibilities here. Vague rumors about a
hidden vault at the north end of Kilmorna House might provide a good starting
point!
The late Con Houlihan, a
noted sportswriter and humanist, from
Castleisland, down the road from Listowel, wrote that all human life can
be found among the people in a country village. Vincent Carmody confirms this
observation in Listowel: A Printer's Legacy which proclaims his love of place in every
chapter.
The photographs and posters with their stories
entice the reader to flip from page to
page - auctions, North Kerry ballads, fairs and, of course, local productions
of plays are all described in the language of the time. Special kudos to the
book's design and layout team, including the attractive cover.
The Foreword to the book by retired teacher
Cyril Kelly, another erudite Listowel writer, is exceptional, especially the
four magnificent paragraphs describing the day-to-day work of Tadhg Brennan, a
local blacksmith. I highly recommend Mr. Kelly's contribution to aspiring
writers and to old timers too who may recall visiting and playing with the
bellows in their village forge fifty or more years ago.
The book was launched in New
York before a big crowd by Dr. Miriam Nyhan Grey of the Irish Studies
Department in NYU in the Kerry Hall in Yonkers on Friday March 8th. It is
available online at listoweloriginals.com.
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